Road House Cinema at Whale Coast

Twenty Years of the Met in Cinemas is a celebration of the Met’s two decades of onstage glory as experienced in movie theaters, featuring highlights from the company’s collection of more than 185 extraordinary onscreen performances. Hosted by star soprano Renée Fleming, this special presentation will showcase unforgettable moments from some of opera’s greatest stars, culled from the series’ vast archive of transmissions, featuring such remarkable artists as Lise Davidsen, Natalie Dessay, Joyce DiDonato, Elīna Garanča, Dmitri Hvorostovsky, Jonas Kaufmann, Peter Mattei, Matthew Polenzani, Sondra Radvanovsky, Nadine Sierra, and, of course, Fleming herself, among others.

This year, André Rieu celebrates a spectacular milestone — the 20th anniversary of his iconic summer concerts on the magnificent Vrijthof square. Captured live in his beloved hometown, this brand-new cinema event marks two decades of music and unforgettable magical summer nights. Viva Maastricht! is a joyful tribute to the city where it all began. Joined by his world-renowned Johann Strauss Orchestra and a vibrant ensemble of artists, André brings the spirit, culture, and warmth of his hometown to life in a dazzling new concert filled with emotion and wonder. From timeless waltzes to soul-stirring classics, this landmark anniversary concert promises an evening of passion, joy, and togetherness. Be part of this historic celebration as the Vrijthof once again transforms into a breathtaking open-air ballroom — only in cinemas this summer.

Lotto and Berenson: Crossed Destinies – The Rediscovery of a Renaissance Master is a documentary that explores the intertwined lives of Lorenzo Lotto, a forgotten 16th-century painter, and Bernard Berenson, the art critic who rediscovered him. Produced by 3D Produzioni and directed by Simona Risi, the film follows actor Alessandro Sperduti as he retraces Lotto’s journey through the landscapes of the Marche, Bergamo, and Venice. Lotto’s quest for recognition led him to scatter his works across northern and central Italy, and the documentary reveals both his art and personal struggles through letters and documents.

The Met: Live in HD season continues with Mozart’s satirical comedy of fickle young love. Phelim McDermott’s “colorful, inventive” (The New York Times) staging, inspired by Coney Island in the 1950s, sets the uproarious story at a boardwalk amusement park, where the two pairs of lovers at the heart of the tale find themselves on one emotional—and literal—thrill ride after another. Soprano Federica Lombardi and mezzo-soprano Samantha Hankey sing Fiordiligi and Dorabella, opposite tenor Duke Kim and baritone Andrey Zhilikhovsky as Ferrando and Guglielmo. Bass-baritone Gerald Finley reprises his portrayal of the cynical Don Alfonso, with soprano Ana María Martínez as the witty maid Despina.

Puccini’s exhilarating drama of the Wild West returns in a new staging by Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Vida Miknevičiūtė makes her Met company debut singing the role of Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures, live from the Met stage to cinemas worldwide.

Two of opera’s most extraordinary artists return to The Met: Live in HD for Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost. Baritone Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite soprano Lise Davidsen as the power-mad Lady Macbeth, whose ruinous ambition damns them both. Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske. Rounding out the all-star cast are tenor Freddie De Tommaso as Macduff and bass-baritone Ryan Speedo Green as Banquo.

Following her radiant performance in Gounod’s Roméo et Juliette—which garnered raves for “high notes that spun like liquid gold … Sierra touched the operatic firmament” (The New York Times)—superstar soprano Nadine Sierra takes on another alluring French heroine, the irresistible title character of Massenet’s passionate drama, live from the Met stage to cinemas worldwide. Leading tenor Matthew Polenzani is her idealistic lover, the Chevalier des Grieux, with rising-star baritone Andrzej Filończyk as her stalwart cousin, Lescaut, in a breathtaking staging by director Laurent Pelly.

One of today’s leading dramatic tenors, Brian Jagde, takes on the tour-de-force title role of what many consider the ultimate Italian opera, live to cinemas worldwide. Verdi’s monumental Shakespearean tragedy also features soprano Ailyn Pérez in her company role debut as the long-suffering Desdemona, alongside baritone Artur Ruciński as the sinister Iago. Michele Mariotti leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

A profound philosophical meditation on compassion and reconciliation, this transcendent rendering of a medieval knight’s heroic quest for the Holy Grail returns to the big screen in François Girard’s celebrated production, a “thoughtful and intrepid staging, full of striking imagery” (The New York Times). Yannick Nézet-Séguin conducts a cast of Wagnerian superstars, including tenor Piotr Beczała in the title role, mezzo-soprano Elīna Garanča as the enigmatic Kundry, baritone Peter Mattei as the ailing Amfortas, bass-baritone Ryan Speedo Green as the sorcerer Klingsor, and bass Jongmin Park as the wise Gurnemanz.

Saint-Saëns’s spectacular take on the biblical hero of legendary strength and the seductive Philistine whose beauty overpowers him returns in the Met’s larger-than-life production. Featuring a massive orchestra and chorus and some of opera’s most spellbinding tunes, this masterpiece is a feast for the eyes and ears. Giacomo Sagripanti conducts an electrifying cast led by the formidable star pairing of mezzo-soprano Aigul Akhmetshina and tenor Clay Hilley, broadcast live to cinemas worldwide.

Following his smash-hit company debut with The Hours, composer Kevin Puts returns to the Met with his Pulitzer Prize–winning opera, inspired by the true events of the 1914 Christmas truce. A poignant depiction of shared humanity in the most inhumane circumstances, Puts’s grand, cinematic opera—with a libretto in English, French, and German by Mark Campbell—has been widely acclaimed since its 2011 premiere, hailed as “an overwhelming emotive experience” by The Guardian. The evocative staging by James Robinson takes the audience directly to the battlefields of the Western Front with a star-studded cast, featuring soprano Elza van den Heever and tenors Ben Bliss and Rolando Villazón, conducted by Maestro Dalia Stasevska live from the Met to cinemas worldwide.

In ancient Egypt, a captive princess and a celebrated military commander fall deeply in love despite being on opposite sides of a bitter conflict. As war, political intrigue and jealousy threaten their future, they must choose between duty and the desires of their hearts. Featuring magnificent choruses, breathtaking spectacle and soaring melodies, Verdi's Aida is one of opera's most powerful and enduring masterpieces.

Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier in whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass Alexander Vinogradov. She has ruined his life, but still Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.

Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it. Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.

Extraordinary Norwegian soprano Lise Davidsen stars as the passionate diva in David McVicar’s thrilling production, broadcast live from the Metropolitan Opera stage to cinemas on November 23. British-Italian tenor Freddie De Tommaso makes his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse American baritone Quinn Kelsey is the sadistic chief of police Scarpia. Maestro Xian Zhang conducts the electrifying score, which features some of Puccini’s most memorable melodies.

This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.

This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.

In Disney’s live-action adaptation of the beloved Oscar®-nominated animated adventure, Moana (Catherine Lagaʻaia) answers the Ocean’s call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people. The film is directed by Emmy® and Tony Award® winner Thomas Kail (“Hamilton”); produced by Dwayne Johnson, Dany Garcia, Beau Flynn, Hiram Garcia and Lin-Manuel Miranda; and executive produced by Thomas Kail, Scott Sheldon, Charles Newirth and Auliʻi Cravalho, who voiced Moana in the animated features “Moana” and “Moana 2.”

In Disney’s live-action adaptation of the beloved Oscar®-nominated animated adventure, Moana (Catherine Lagaʻaia) answers the Ocean’s call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people. The film is directed by Emmy® and Tony Award® winner Thomas Kail (“Hamilton”); produced by Dwayne Johnson, Dany Garcia, Beau Flynn, Hiram Garcia and Lin-Manuel Miranda; and executive produced by Thomas Kail, Scott Sheldon, Charles Newirth and Auliʻi Cravalho, who voiced Moana in the animated features “Moana” and “Moana 2.”

The debt contemporary culture has towards Munch is impressive, from Andy Warhol to Ingmar Bergman, from Marina Abramovich to Jasper Johnes. If his painting has become a symbol and at the same time an omen of the tragedies of the 20th century, his art has travelled new and experimental roads of extraordinary modernity. It is also a journey through Munch’s Norway, his complex relationship with women and his idea of time.

After their ship gets caught in a mysterious storm, the PAW Patrol pups crash land on an uncharted tropical island filled with dinosaurs. They meet Rex, a pup who has been stranded on the island for years and has become an expert in all things dino-related. When the PAW Patrol's archrival, Mayor Humdinger, begins recklessly mining in hopes of exploiting the island for its natural resources, he inadvertently causes a huge, dormant volcano to erupt. The PAW Patrol pups are thrown into a series of high-stakes, dino-sized rescues bigger than anything they've done before, as they must stop Humdinger before everything on the island goes extinct.

Exploring the places he lived in as well as his artistic sensitivity, with Fabrizio Bentivoglio as our guide and “narrative consciousness”, this documentary reveals the artist’s emotions and his vision of reality through a sophisticated use of shots from different angles inspired by the colors in his paintings. Pellizza’s tragic end – he took his own life in 1907 following the tragic loss of his wife – is part of the story and makes the emotional bond between the viewer and the artist’s work all the more profound.

In the spirit of BAD MOMS and THE HANGOVER, SPA WEEKEND is a hilarious and heartfelt comedy about four lifelong friends who realize that somewhere between careers, relationships, families and everyday responsibilities, they have forgotten how to take care of themselves and each other. Burned out and overdue for a break, the women escape to a luxury spa retreat for what turns out to be an unforgettable weekend dedicated to fun, laughter, and a lot of really bad decisions.

After the record-breaking global success of Spider-Man: No Way Home, Spider-Man: Brand New Day marks an entirely new chapter for Peter Parker and Spider-Man. Four years have passed since the events of No Way Home, and Peter is now an adult living entirely alone, having voluntarily erased himself from the lives and memories of those he loves. Crime-fighting in a New York that no longer knows his name, he’s devoted himself entirely to protecting his city — a full-time Spider-Man — but as the demands on him intensify, the pressure sparks a surprising physical evolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced.

After the record-breaking global success of Spider-Man: No Way Home, Spider-Man: Brand New Day marks an entirely new chapter for Peter Parker and Spider-Man. Four years have passed since the events of No Way Home, and Peter is now an adult living entirely alone, having voluntarily erased himself from the lives and memories of those he loves. Crime-fighting in a New York that no longer knows his name, he’s devoted himself entirely to protecting his city — a full-time Spider-Man — but as the demands on him intensify, the pressure sparks a surprising physical evolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced.

St Peter’s and the Papal Basilicas of Rome, takes you on a journey through the four Papal Basilicas in Rome and their treasures: St. Peter’s (one of the 25 destinations most visited by travellers from all over the world), St. John in the Lateran, St. Mary Major and St. Paul Outside the Walls. Four majestic buildings – each with a precious papal altar, each a treasure trove of timeless works of art and a destination for millions of travellers and pilgrims over the centuries – play the leading role in a new film tour that has been recognized as a work of cultural interest by the film board of the Ministry of Culture, Heritage and Tourism.

Based on Penelope Fitzgerald's novel of the same name; 'The Bookshop' is set in 1959, Florence Green (Emily Mortimer), a free spirited widow, puts grief behind her and risks everything to open up a bookshop - the first such shop in the sleepy seaside town of Hardborough, England. Fighting damp, cold and considerable local apathy she struggles to establish herself but soon her fortunes change for the better. By exposing the narrow minded local townsfolk to the best literature of the day including Nabokov's scandalizing "Lolita" and Ray Bradbury's "Fahrenheit 451", she opens their eyes thereby causing a cultural awakening in a town which has not changed for centuries. Her activities bring her a kindred spirit and ally in the figure of Mr Brundish (Bill Nighy) who is himself sick of the town's stale atmosphere. But this mini social revolution soon brings her fierce enemies: she invites the hostility of the town's less prosperous shopkeepers and also crosses Mrs. Gamart (Patricia Clarkson) Hardborough’s vengeful, embittered alpha female who is herself a wannabe doyenne of the local arts scene. When Florence refuses to bend to Gamart’s will, they begin a struggle not just for the bookshop but for the very heart and soul of the town

Joe and Angela’s marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places. Have they reignited the spark or lit the match that burns it all down?

It pays homage to the genius of Leonardo da Vinci and to a masterpiece that has miraculously survived the centuries, including the bombings of World War II. An enduring symbol of Christianity and a cornerstone of the collective imagination, The Last Supper remains as powerful as it is fragile. Through the eyes of leading experts and the precision of high-definition cinema, the film reveals details invisible to the naked eye and retraces its creation, its revolutionary impact, its deterioration, and its survival.

Christopher Nolan’s next film, The Odyssey, is a mythic action epic shot across the world using brand new IMAX® film technology. The film brings Homer’s foundational saga to IMAX® film screens for the first time. The Odyssey stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson and Lupita Nyong’o, with Zendaya and Charlize Theron. The Odyssey is produced by Emma Thomas and Christopher Nolan for their company, Syncopy. The executive producer is Thomas Hayslip.

The toys are back in Disney and Pixar’s “Toy Story 5,” and this time around it’s Toy meets Tech. Buzz, Woody, Jessie and the rest of the gang’s jobs get exponentially harder when they go head to head with this all-new threat to playtime.

The toys are back in Disney and Pixar’s “Toy Story 5,” and this time around it’s Toy meets Tech. Buzz, Woody, Jessie and the rest of the gang’s jobs get exponentially harder when they go head to head with this all-new threat to playtime.