Based on Dickens’ own performance adaptation, Simon Callow and director-designer Tom Cairns have created a one-man theatrical extravaganza of festive story-telling that is both heart-warming and deeply moving. A Christmas must see for 8-88 year olds!
Charles Dickens’ A CHRISTMAS CAROL is one of the most beloved books in the English language. It has become a classic Christmas tale for generations of grown-ups and children alike.
As the ghosts spirit Scrooge from the present to his past and future, Dickens takes us on a magical journey from the miser’s dank and creaking house to cosy hearths, and from snowy graveyards to joyful festivities. This treasured story offers a celebration of goodness, a plea for justice and the promise of redemption.
Simon Callow, one of the nation’s best loved actors, returns to Dickens’ A CHRISTMAS CAROL after huge international success with The Mystery of Charles Dickens (West End and Broadway), national acclaim for Dr Marigold & Mr Chops and guest starring as Dickens on Doctor Who (BBC). Notable recent acting work has included his performance as Count Fosco, the villain of Wilkie Collins's The Woman in White, both in film and on stage; as Pozzo in Beckett's Waiting for Godot opposite Sir Ian McKellen, Sir Patrick Stewart and Ronald Pickup; and as the psychiatrist in Chichester Festival Theatre's production of Peter Shaffer's Equus.
Simon published his own biography of Dickens in early 2012. On screen, Simon is best known for his roles in Four Weddings and a Funeral, Shakespeare in Love and Amadeus.
Presented by Assembly & Riverside Studios
15Strong language, drug misuse.
Jackson Maine, a country music star on the brink of decline, discovers a talented unknown named Ally. As the two begin a passionate love affair, Jackson coaxes Ally into the spotlight, catapulting her to stardom. But as Ally's career quickly eclipses his own, Jack finds it increasingly hard to handle his fading glory.
The King of Waltz Andre Rieu will bring to millions of fans across the world, his New Year’s concert recorded live in Sydney, Australia. The first full production from leading Event Cinema distributor Piece of Magic Entertainment, Andre Rieu
will present a festive concert like never before, recorded live in Sydney’s iconic Town Hall.
Join the Maestro, Andre Rieu, for a magical evening of music and dance featuring his world class sopranos, The Platin Tenors and plenty of surprises. With show tunes, classical music and plenty of festive fun it promises to be a great way to start the new year!
Take a front row seat and experience this spectacular musical event on the big screen. Enjoy backstage access, interviews with Andre and his special guests, musical favourites and much, much more, exclusive to cinema.
The evening will be hosted by ITV’s Charlotte Hawkins, a familiar face for all those who continue to enjoy Andre’s annual Maastricht concert each July
Daniel Barenboim piano and conductor
Wolfgang Amadeus Mozart Concerto for Piano and Orchestra No. 26 in D major, "Coronation"
Maurice Ravel Rapsodie espagnole· Alborada del gracioso · Pavane pour une infante défunte · Boléro Total running time: ca. 120 min
(incl. 30 min opening programme, concert without intermission)
The conductor of this New Year’s Eve concert is Daniel Barenboim, one of the Berliner
Philharmoniker’s oldest friends. He also takes on the role of soloist in Mozart’s Piano Concerto
No. 26 – a work of sparkling beauty and nuanced expression. There are also four famous works
by Maurice Ravel, which create an impressive synthesis of elegance and originality. The final
highlight is the Boléro, perhaps the most stunning crescendo in music history.
“Star and once-in-a-century musician”
Süddeutsche Zeitung on Daniel Barenboim
Bohemian Rhapsody is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury, who defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound, their near-implosion as Mercury’s lifestyle spirals out of control, and their triumphant reunion on the eve of Live Aid, where Mercury, facing a life-threatening illness, leads the band in one of the greatest performances in the history of rock music. In the process, cementing the legacy of a band that were always more like a family, and who continue to inspire outsiders, dreamers and music lovers to this day.
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet.
The temple dancer Nikiya and the warrior Solor fall deeply in love, giving way to heated passions, and murderous intrigues when the Rajah and his daughter Gamzatti discover their forbidden love. La Bayadere is one of the greatest works classical ballet history – a story of love, death and vengeful judgement set in India. Dazzling sets, costumes, and one of the most iconic scenes in ballet, the “Kingdom of the Shades,” illuminate the tragic tale of the temple dancer Nikiya’s doomed love for the warrior Solor, and their ulimate redemption. A must-see!
On Christmas Eve, Marie’s Nutcracker doll magically transforms into a prince and their wonderful adventure begins. The holiday classic returns to the majestic Bolshoi stage for a live broadcast of a timeless story, The Nutcracker, taking audiences of all ages on a magical journey through a world of enchantment complete with dancing snowflakes and dolls that have come to life, accompanied by Tchaikovsky’s beloved score.
The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest.
12Ainfrequent strong language, moderate sex references
The story follows Rachel Chu (Wu), an American-born Chinese economics professor, who travels to her boyfriend Nick's (Golding) hometown of Singapore for his best friend's wedding. Before long, his secret is out: Nick is from a family that is impossibly wealthy, he's perhaps the most eligible bachelor in Asia, and every single woman in his ultra-rarefied social class is incredibly jealous of Rachel and wants to bring her down.
Life has become a balancing act for Adonis Creed. Between personal obligations and training for his next big fight, he is up against the challenge of his life. Facing an opponent with ties to his family’s past only intensifies his impending battle in the ring. Rocky Balboa is there by his side through it all and, together, Rocky and Adonis will confront their shared legacy, question what’s worth fighting for, and discover that nothing’s more important than family. Creed II is about going back to basics to rediscover what made you a champion in the first place, and remembering that, no matter where you go, you can’t escape your history.
12AInfrequent strong language.
To try and overcome a lifetime of bitterness and resentment, an older lady decides to climb a mountain in Scotland.
EXHIBITION ON SCREEN journeys from the streets of Paris to the heart of a superb exhibition at the Fitzwilliam Museum in Cambridge, whose extensive collection of Degas’ works is the most representative in Britain. With exclusive access to view rare and diverse works, this film tells a fascinating story of Degas’ pursuit for perfection through both experimentation with new techniques and lessons learnt from studying the past masters.
Sometimes frustrated by his own failings, Degas was consumed by obsessive principles and failing eyesight but his determination to capture everyday life was evident in every mark he made. Never fully satisfied, many of Degas’ drawings and sculptures were kept in private during his lifetime but, now through close examination, they can be seen as some of the most beautifully detailed and expressive works in the modern era.
Using written accounts by friends and commentators, and the narration of letters written by Degas himself, this film reveals a more complex truth behind one of the most influential French artists of the late 19th-century and
serves as an exploration of the complex workings of Degas’ artistic mind.
“Art is not a matter of what you see, but what you make other people see” Edgar Degas
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this EXHIBITION ON SCREEN favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt’s death.
For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
“I envy the Japanese” Van Gogh wrote to his brother Theo. In the exhibition on which this film is based – VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam – one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find – the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was.
The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Pablo Picasso is one of the greatest artists of all time – and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years – the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods – the so-called Blue Period and Rose Period – the film takes us all the way to 1907 and the creation of a critical painting in the history of art – Les Demoiselles d’Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.
15Strong language, disturbing images, racist behaviour.
Fahrenheit 11/9 finds Michael Moore in fine fighting form, delivering a political call to action that ranks among his most effective works.
Filmmaker Michael Moore predicted that Donald Trump would become the 45th president of the United States. Traveling across the country, Moore interviews American citizens to get a sense of the social, economic and political impact of Trump's victory. Moore also takes an in-depth look at the media, the Electoral College, the government agenda and his hometown of Flint, Mich.
At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.
In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
15Strong violence, language
Deep under the Arctic Ocean, American submarine Captain Joe Glass (Gerard Butler, Olympus Has Fallen, 300) is on the hunt for a U.S. sub in distress when he discovers a secret Russian coup is in the offing, threatening to dismantle the world order. With crew and country on the line, Captain Glass must now assemble an elite group of Navy SEALs to rescue the kidnapped Russian president and sneak through enemy waters to stop WWIII.
Johnny English Strikes Again is the third installment of the Johnny English comedy series, with Rowan Atkinson returning as the much loved accidental secret agent. The new adventure begins when a cyber-attack reveals the identity of all active undercover agents in Britain, leaving Johnny English as the secret service’s last hope. Called out of retirement, English dives head first into action with the mission to find the mastermind hacker. As a man with few skills and analogue methods, Johnny English must overcome the challenges of modern technology to make this mission a success.
For the first time at the Met, soprano Anna Netrebko sings the role of Adriana Lecouvreur, the eighteenth-century actress whose real-life intrigues inspired Cilea’s tragic opera. Adriana is adored by many but loves only Maurizio, sung by tenor Piotr Beczała, who adores her in return. Maurizio desperately tries to extricate himself from his previous lover, the Princess of Bouillon— mezzo-soprano Anita Rachvelishvili. When the princess discovers that Adriana is her rival, she takes desperate measures of her own. In this new production directed by Sir David McVicar, the action is partially set in a working replica of a baroque theatre. Gianandrea Noseda conducts the riveting score.
Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier in whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass Alexander Vinogradov. She has ruined his life, but still Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries—Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena take on the challenging vocal fireworks in Laurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
New Met Music Director Yannick Nézet-Séguin launches his tenure by conducting Verdi’s timeless tragedy. Worldly courtesan Violetta, sung by soprano Diana Damrau, has grown tired of her dissolute life. When the pure-hearted Alfredo—tenor Juan Diego Flórez—declares his love for her, she leaves everything behind to live with him. But his family’s reputation is ruined by his association with her, and Violetta is torn between her feelings for Alfredo and her desire to protect him from scandal. Urged by the young man’s father, she tears herself away and returns to her old life. Alfredo, not knowing the real reason for her apparent betrayal, is heartbroken—and bent on revenge. Directed by Michael Mayer, this new production features a dazzling eighteenth-century setting that changes with the seasons.
Multi-award-winning drama The Madness of George III will be broadcast live to cinemas, in National Theatre Live’s first ever broadcast from Nottingham Playhouse.
Written by one of Britain’s best-loved playwrights Alan Bennett (The History Boys, The Lady in the Van), this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991.
The cast of this new production includes Olivier Award-winners Mark Gatiss (Sherlock, Wolf Hall, NT Live Coriolanus) in the title role, and Adrian Scarborough (Gavin and Stacey, Upstairs Downstairs, After the Dance).
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Director Simon Godwin returns to National Theatre Live screens with this hotly anticipated production, following broadcasts of Twelfth Night, Man and Superman and The Beaux’ Stratagem.
’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
12 As Live
National Theatre Live
The Tragedy of King Richard the Second
By William Shakespeare
Simon Russell Beale plays William Shakespeare’s Richard II, broadcast live from the stage of the Almeida Theatre in London to cinemas.
This visceral new production about the limits of power will be directed by Joe Hill-Gibbins, whose previous plays include Little Revolution at the Almeida and Absolute Hell at the National Theatre.
Richard II, King of England, is irresponsible, foolish and vain. His weak leadership sends his kingdom into disarray and his court into uproar. Seeing no other option but to seize power, the ambitious Bolingbroke challenges the throne and the king’s divine right to rule.
Simon Russell Beale returns to National Theatre Live screens following broadcasts of Timon of Athens and King Lear, and his recent role in the National Theatre’s critically acclaimed production of The Lehman Trilogy.
12AModerate violence, language
An epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, where a peaceful pro-democracy rally at St Peter’s Field in Manchester turned into one of the bloodiest and most notorious episodes in British history. The massacre saw British government forces charge into a crowd of over 60,000 that had gathered to demand political reform and protest against rising levels of poverty. Many protestors were killed and hundreds more injured, sparking a nationwide outcry but also further government suppression. The Peterloo Massacre was a defining moment in British democracy which also played a significant role in the founding of The Guardian newspaper.
12AModerate violence, threat
Robin of Loxley (Taron Egerton) a war-hardened Crusader and his Moorish commander (Jamie Foxx) mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timeless romance.
Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters
of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant
villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honour of his imaginary noble lady, Dulcinea. Sunny,
charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.
The contemporary face of The Royal Ballet is HENRYK MIKOŁAJ GÓRECKI shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich
colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songs for a poignant and passionate reflection on
migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern
ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of
Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
The Nutcracker has long been one of the most delightful ways to discover the enchantment of ballet – and makes for a delicious seasonal treat for all the family. Tchaikovsky’s much-loved music is matched to a magical adventure on Christmas Eve for Clara and her Nutcracker doll. Their journey to the Land of Sweets brings with it some of the most familiar of all ballet moments, such as the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. Peter Wright’s production for The Royal Ballet keeps true to the spirit of this Russian ballet classic, with period details and dancing snowflakes. The many solo roles and ensembles put the world-class skills of the Company to the fore in this Christmas classic.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael
Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French
grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmann
and Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest
theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading
to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both
showing the lyricism of Italian opera at its most immediately appealing. Richard Eyre’s production for The Royal Opera
brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion. Lavish period sets and costumes enhance the
reality of a moving story based on true life.
In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spades
is based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered fivestar reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs
Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal
of a tortured creative artist and a gripping piece of gothic storytelling.
An animated adventure for all ages, with original music and an all-star cast, “Smallfoot” turns the Bigfoot legend upside down when a bright young Yeti finds something he thought didn’t exist—a human. News of this “smallfoot” throws the simple Yeti community into an uproar over what else might be out there in the big world beyond their snowy village, in an all new story about friendship, courage and the joy of discovery.
UVery mild threat, language
Life in Solby is nice and peaceful until one day Mitcho and Sebastian find a message in a bottle by the harbour. The bottle is from the missing mayor of Solby with a message that he is on a mysterious island and has made a great discovery. Now they must embark on a perilous journey to help save the mayor and bring him home, and in the process they uncover something that will bring great pleasure to the city of Solby - a giant pear.
Set in 1860's Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children.
With one of the finest scores ever written including; Whistle a Happy Tune, Getting to Know You and Shall We Dance. Featuring a company of over 50 world-class performers, The King and I is a testament to the lavish heritage of gloriously romantic musical theatre.
All Clara (Mackenzie Foy) wants is a key – a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer’s (Morgan Freeman) annual holiday party, leads her to the coveted key—which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip (Jayden Fowora-Knight), a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key and hopefully return harmony to the unstable world. Starring Keira Knightley as the Sugar Plum Fairy and featuring a special performance by Misty Copeland, Disney’s new holiday feature film “The Nutcracker and the Four Realms” is directed by Lasse Hallström and inspired by E.T.A. Hoffmann’s classic tale. In Cinemas November 2018.
12AInfrequent strong language
Based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest's commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
12Amoderate violence, racist behaviour
A poker-playing restaurateur and former traveling salesman befriends a group of refugees newly arrived to Finland.
Jean Brodie (Maggie Smith) is a free-spirited teacher at a Scottish girls' school during the 1930s. She encourages her young pupils to embrace romantic ideals, educating them about love and art rather than hard facts. However, her controversial teaching philosophy draws the ire of the school's headmistress, Miss Mackey (Celia Johnson), and, as Miss Brodie becomes entangled in a love triangle, her behavior towards her favourite students becomes increasingly manipulative.
1969 Director: Ronald Neame
Awards: Academy Award for Best Actress
15Strong language, sex references
Joan Castleman (Glenn Close) is a highly intelligent and still-striking beauty – the perfect devoted wife. Forty years spent sacrificing her own talent, dreams and ambitions to fan the flames of her charismatic husband Joe (Jonathan Pryce) and his skyrocketing literary career. Ignoring his infidelities and excuses because of his "art" with grace and humor. Their fateful pact has built a marriage upon uneven compromises and Joan's reached her breaking point. On the eve of Joe's Nobel Prize for Literature, the crown jewel in a spectacular body of work, Joan's coup de grace is to confront the biggest sacrifice of her life and secret of his career. THE WIFE is a poignant, funny and emotional journey; a celebration of womanhood, self-discovery and liberation.
This autumn, don’t miss Warren Miller's 69th snowsports film - 2018.
Winter is just around the corner, and Warren Miller Entertainment (WME) is ready to kick-off the season with its 69th ski and snowboard film, Face of Winter.
The late, great Warren Miller built his legacy capturing the essence of winter magic. Today that legacy launches the start of the snowsports season every year. In the 69th feature film, celebrate the man who became the face of winter throughout the ski world, and the places and people he influenced along the way.
This year, new and veteran athletes come together to pay tribute to the man who started it all, including Jonny Moseley, Marcus Caston, Seth Wescott, Forrest Jillson, Kaylin Richardson, Dash Longe, Anna Segal, Michael “Bird” Shaffer, and more. Watch as they visit some of Warren’s favorite places from Engleberg - Switzerland to Chamonix - France, British Columbia to Alaska,
Chile, Iceland, New Zealand and more.
“The film is for anyone whose life (whether they realize it or not) was impacted by Warren Miller,” says WME Managing Director Andy Hawk. “We
are all the face of winter—from the athletes to the audience to the locals in far-off destinations or even at our home mountain. Warren recognized this, and this year’s film celebrates that.”
All fans, young and old, are invited to come together and carry on the tradition of the official kickoff to winter during the 2018 UK and Ireland Film Tour.
As always all filmgoers will be entered in the free nightly prize giveaways with the opportunities to win bigger prizes in the National Tour Grand Draw in January, including winter breaks to Switzerland.
Film Destinations: Alaska | British Columbia | Chamonix,
Explore warrenmiller.co.uk for more.
15Strong violence, sex, very strong language
From Academy Award®-winning director Steve McQueen (“12 Years a Slave”) and cowriter and bestselling author Gillian Flynn (“Gone Girl”) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. “Widows" is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar® winner Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. “Widows" also stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, Lukas Haas and Brian Tyree Henry. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar® winner Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. “Widows" also stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya and Brian Tyree Henry.
WRECKING THE INTERNET — Wreck-It Ralph is heading back to the big screen—this time he's wrecking the internet. John C. Reilly returns as the voice of the bad-guy-turned-good, Ralph, and Sarah Silverman once again lends her voice to the girl with the game-winning glitch, Vanellope von Schweetz. Directed by Rich Moore and Phil Johnston, and produced by Clark Spencer.