PGmild innuendo, language
42nd Street, the legendary Broadway musical theatre classic, is a ‘glorious’ (Express) and ‘utterly moreish extravaganza of glitz’ (Times). Telling the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway, this is the largest ever staging of the Tony Award-winning musical and it was filmed live at the magnificent Theatre Royal in the heart of London’s West End. Starring national treasure Bonnie Langford as Dorothy Brock and featuring iconic songs 42nd Street, We’re In The Money and Lullaby of Broadway, this is pure magic on the big screen.
16 L
An imaginative tale of two strangers and the unbelievable journey that connects them.
PG VAnimation
Chickenhare embarks on an epic quest, a mysterious groundhog with the power to reverse time and save his species. His adventure takes a dangerous turn when his group discover they are not the only ones searching for this ancient power.
12(PG12
Spending the summer in a holiday camp with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor Johnny Castle.
10-12PGmild bad language, sex references
DOWNTON ABBEY: THE GRAND FINALE, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the center of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.
PGvery mild violence, threat, rude humour, innuendo
DreamWorks Animation elevates its global smash streaming series into its first ever cinematic adventure with Gabby’s Dollhouse: The Movie. Since the debut of the Gabby’s Dollhouse series in 2021, kids around the world have been having one big sprinkle party with Gabby and her friends on Netflix. Created by celebrated storytellers Traci Paige Johnson and Jennifer Twomey, Gabby's Dollhouse is a mixed media preschool series that unboxes a surprise before jumping into a fantastical animated world full of adorable cat characters that live inside Gabby’s dollhouse. In the new film, Gabby (Laila Lockhart Kraner, reprising her role from the series) heads out on a road trip with her Grandma Gigi (four-time Grammy Award winner Gloria Estefan) to the urban wonderland of Cat Francisco. But when Gabby’s dollhouse, her most prized possession, ends up in the hands of an eccentric cat lady named Vera (Oscar® nominee Kristen Wiig), Gabby sets off on an adventure through the real world to get the Gabby Cats back together and save the dollhouse before it’s too late. The all-star comedic voice cast includes Saturday Night Live powerhouses Ego Nwodim, Kyle Mooney and Melissa Villaseñor, as well as Emmy nominee Thomas Lennon (Reno 911!, American Dad!), Jason Mantzoukas (Invincible, Big Mouth), and Fortune Feimster (Fortune Feimster: Crushing It, Velma). The beloved series voice cast reprises their roles as Pandy Paws, CatRat, Cakey, DJ Catnip, Baby Box, MerCat and more. Gabby’s Dollhouse: The Movie is directed by Ryan Crego (executive producer of Home: Adventures with Tip & Oh, I Heart Arlo), who earned a Children’s and Family Emmy nomination for his television feature Arlo the Alligator Boy. The film is produced by Steven Schweickart, who has served as a production supervisor or co-producer on some of DreamWorks Animation’s biggest blockbusters including How to Train Your Dragon, The Croods and most recently, Kung Fu Panda 4, which has earned almost $500 million worldwide. The film is executive produced by Jennifer Twomey and Traci Paige Johnson, based on the Gabby’s Dollhouse series created by them. In 2024, according to Nielsen, the Gabby’s Dollhouse series was the ninth-most-viewed streaming original series. Netflix expanded the series to 100 total episodes, and the 11th season debuted on Netflix in February 2025. Rooted in a growth mindset, Gabby’s activity-based episodes encourage flexible thinking and learning from your mistakes. The Gabby’s Dollhouse series has been in the Top 10 in TV in 63 countries on Netflix and has become a top preschool brand around the world, inspiring an award-winning toy line, publishing, home, apparel, and more, as well as original music, a top-rated app and a growing YouTube channel visited by millions of fans weekly. Additionally, Gabby’s Dollhouse continues to expand through Universal Destinations & Experiences theme parks, global fan experiences, live events and more.
16 D Lstrong language, drug misuse
A struggling man who gets his life swapped with his wealthy friend by a mystical force. He inherits his friend's lavish lifestyle, while while his friend experiences his financial hardships.
PG Vvery mild threat, violence, upsetting scenes, rude humour, language
A live-action reimagining of Disney’s 2002 animated classic, “Lilo & Stitch” is the wildly funny and touching story of a lonely Hawaiian girl and the fugitive alien who helps to mend her broken family. Directed by Dean Fleischer Camp, the Oscar®-nominated filmmaker behind the animated feature film “Marcel the Shell with Shoes On,” the film stars Sydney Elizebeth Agudong, Billy Magnussen, Tia Carrere, Hannah Waddingham, Chris Sanders, with Courtney B. Vance, and Zach Galifianakis, introducing Maia Kealoha. “Lilo & Stitch” is produced by Jonathan Eirich, p.g.a. and Dan Lin, with Louie Provost, Tom Peitzman and Ryan Halprin serving as executive producers.
TBC
Giordano’s passionate tragedy stars tenor Piotr Beczała as the virtuous poet who falls victim to the intrigue and violence of the French Revolution. Following their celebrated recent partnership in Giordano’s Fedora Beczała reunites with soprano Sonya Yoncheva as Chénier’s aristocratic lover, Maddalena di Coigny, with baritone Igor Golovatenko as Carlo Gérard, the agent of the Reign of Terror who seals their fates. Met Principal Guest Conductor Daniele Rustioni takes the podium to lead Nicolas Joël’s gripping staging, which will be transmitted live from the Met stage to cinemas on December 14.
TBC
Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to cinemas worldwide in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.
TBC
Continuing a treasured holiday tradition, the Met presents a new installment in its series of abridged opera adaptations for family audiences. Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90 minutes, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.
TBC
American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.
TBC
Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin, which will be transmitted live from the Metropolitan Opera stage to cinemas worldwide on May 2. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).
TBC
For gorgeous melody, spellbinding coloratura, and virtuoso vocal fireworks, I Puritani has few equals. On January 10, the first new Met production of Bellini’s final masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer—arrives in cinemas worldwide. The Met has assembled a world-beating quartet of stars, conducted by Marco Armiliato, for the demanding principal roles. Soprano Lisette Oropesa and tenor Lawrence Brownlee are Elvira and Arturo, brought together by love and torn apart by the political rifts of the English Civil War, with baritone Artur Ruciński as Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn as Elvira’s sympathetic uncle, Giorgio.
TBC
Following triumphant Live in HD performances in Gounod’s Roméo et Juliette, Verdi’s La Traviata, and Donizetti’s Lucia di Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga co-stars as Amina’s fiancé, Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works, which will be transmitted live from the Met stage to cinemas on October 18.
TBC
Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it. Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.
TBC
After years of anticipation, a truly unmissable event arrives in cinemas worldwide on March 21 as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.
13 L
Windhoek, Namibia. Heidi is a strong-willed woman hiding her cancer from her family. Marelize, her accident-prone adult daughter, needs to learn how to ride a bike to become an au pair in the Netherlands. How hard can that be?
16strong language, sex references, violence, references to sexual violence
When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own's daughter.
TBC
With its enchanting setting and spellbinding score, the world’s most popular opera is as timeless as it is heartbreaking. Franco Zeffirelli’s picture-perfect production brings 19th-century Paris to the Met stage as Puccini’s young friends and lovers navigate the joy and struggle of bohemian life. Soprano Juliana Grigoryan is the feeble seamstress Mimì, opposite tenor Freddie De Tommaso as the ardent poet Rodolfo. Keri-Lynn Wilson conducts the November 8 performance, which will be transmitted live from the Met stage to cinemas worldwide.
TBCstrong language, violence, abusive behaviour
The story of mixed-martial arts and UFC champion Mark Kerr.
13 Vmoderate violence, threat
“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.